What’s on

Nina Lais­né ima­gines a cho­reo­graph­ic and music­al piece to cel­eb­rate pian­ist and com­poser Hilda Her­rera and dan­cer Nestor ‘Pola’ Pas­torive, two unique and free fig­ures of Argen­tine folklore. After mak­ing a last­ing impres­sion on Caen audi­ences in 2019 with Romances incier­tos, anoth­er …

For her first col­lect­ive piece, Kater­ina Andreou – asso­ci­ate artist at the ccncn – works in reac­tion to the con­fu­sion felt when attempt­ing to cre­ate a space in which to feel more sol­id. A frank and dir­ect col­lect­ive ges­ture where play and …

In this solo per­form­ance, visu­al artist and cho­reo­graph­er Clarissa Bau­mann explores the ana­tomy of lan­guage, dis­sec­ted into a myri­ad of ges­tures, sounds, images and sensations. Con­ceived as a cho­reo­graph­ic pro­ject open to vari­ous explor­at­ory forms (install­a­tion, work­shops, writ­ing), bouche, bave, main takes …

Cho­reo­graph­er Ruth Childs is work­ing on her first group piece, a tra­gi­com­ic dance in which move­ments, tra­ject­or­ies, sounds and voices are treated play­fully and musically. After recre­at­ing the early works of her aunt Lucinda Childs (four were presen­ted at the ccn …

Math­ilde Mon­freux and the Com­pag­nie des Corps Par­lants are work­ing on an inter­act­ive con­fer­ence inspired by con­tact impro­visa­tion, to ques­tion – in a humor­ous way – the bound­ar­ies between art, sport and dance. Developed in the early ’70s in the USA, con­tact …

With De Diaboli, cho­reo­graph­er and visu­al artist Christine Armanger explores the fig­ure of the dev­il, from its his­tor­ic­al depth to its con­tem­por­ary stakes. Three per­formers (and a robot dog) indulge in an occult ritu­al that is in turns dis­turb­ing and grotesque. …

The Ès col­lect­ive is work­ing on a phys­ic­al study of the world­wide hit La Lam­bada with a piece for two tri­os. How do you bring bod­ies togeth­er in the uto­pi­an space of a con­cert hall? The huge suc­cess of La Lam­bada in 1989, when …